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RickyJust wanted to let you know we received the 1 moon balloon from Fenigal(China) and have done our due diligence/testing andwe are so happy with it. We' d like to move forward with the attached invoice. Please send this ACH ASAP so Harry and his team can get moving with the production of the other 9 Balloons. -
DimitriAwesome, as soon we received the product, we tested some of them !!.. really impressive.. the quality is really good.. -
MarjorieI put these in my clients party balloons which were a big hit. Worked great for what I needed. I will definitely get these again for other events. -
AnastasiaAwesome addition to a party! These were great! Everyone loved them! Worked perfect, easy to use! -
LisseteI had the lights turned on (except for testing purposes yet), but they are a nice size and seem to be pretty bright. I have been looking for battery operated lights for my projects and these seem like they will work nicely as they are individual so you can use as few or as many as you want -
1,800W LED Helium Balloon Light with CRI Over 95 and Flicker Free for Film and Studio Production
Product Details
| CCT | 2700K To 6500K | CRI | Over 95 |
|---|---|---|---|
| Power | 1.8kw; 3.6kw;4.8kw;customized | Envelope Dimensions | Ø 3.8 M * H 2.9 M |
| Balloon Volume | 21.8 M³ / 770 Ft³ | PSU Input | AC 230V Or 120V |
| Highlight | 1800W LED Helium Balloon Light,CRI Over 95 Film Lighting Balloon,Flicker Free Ellipse LED Balloon Light |
||
Product Description
1,800W LED Helium Balloon Light For Film, TV, Commercials & Studio Production
Product Overview
The HAFE Artemis Ellipse LED1800 is a professional LED helium balloon light designed for film, television, commercial, broadcast, and studio production.
With its distinctive elliptical form, the LED1800 delivers a broad, even overhead spread across the set—creating soft ambient illumination, natural skin tones, and clean product highlights without the harshness or visual clutter of conventional point-source lighting.
Built for productions that demand both quality and efficiency, the LED1800 combines 1,800W of LED power, high color rendering, hybrid color-temperature control, DMX operation, and an optional wireless CRMX workflow. Its compact 3.8 m envelope and configurable elliptical shape make it particularly effective in interiors, interview environments, commercial studios, and controlled locations where fast deployment and refined light quality matter.
A softer, wider, more controllable way to light the entire set.
Product Specifications
| Model | HAFE Artemis Ellipse LED1800 |
|---|---|
| Product type | Ellipse LED helium balloon light |
| Total lamp power | 1,800W |
| LED blankets | 1 + 2 |
| Color temperature | Hybrid 2,600K–6,200K; warm white 2,600K; cold white 6,200K |
| Envelope dimensions | Ø 3.8 m * H 2.9 m |
| Balloon volume | 21.8 m³ / 770 ft³ |
| Shape range | Custom elliptical diameter: 3.8–5.5 m |
| Control | DMX and onboard PSU; optional CRMX-LumenRadio wireless control |
| PSU input | AC 230V or 120V |
| PSU output | DC 24V / 75A |
| PSU interface | Integrated touchscreen |
| Color rendering | CRI 96–99 |
Specifications may vary according to configuration and project requirements. Please contact HAFE for the latest technical confirmation.
The HAFE Solution
One overhead source. A more natural-looking set.
Many production environments need soft, consistent illumination across a large area—but do not have the time, space, or rigging capacity for a complex lighting package. The HAFE Artemis Ellipse LED1800 addresses that challenge with a wide, elevated source that can establish the ambient foundation of a scene quickly and cleanly.
The elliptical design extends coverage horizontally, helping the light reach dialogue areas, living-room sets, office environments, product tables, and compact studio builds with a smooth, controlled falloff. Instead of relying on multiple hard sources to fill every angle, production teams can use the LED1800 as a dependable overhead base and add smaller fixtures only where accents, edges, or background detail are needed.
With hybrid 2,600K–6,200K control, the light can be balanced to daylight through windows, practical fixtures, or the creative color direction of the scene. DMX control enables fast adjustments between setups, while optional CRMX wireless control supports a cleaner and more flexible on-set workflow.
Designed around real production demands
- Establish a soft general fill across the set
- Reduce harsh contrast in interior scenes
- Maintain flattering skin tones for interviews and talent work
- Match changing daylight or practical sources
- Adjust intensity and color remotely during production
- Create a premium ambient look without overcomplicating the rig
Product Advantages
Broad elliptical coverage
The custom elliptical form creates a wider horizontal spread than a conventional spherical configuration, making it well suited to sets where subjects, furniture, or products are distributed across a broad area.
High-quality color reproduction
With a CRI of 96–99, the LED1800 helps preserve natural skin tones, accurate product color, and clean on-camera rendering—essential for beauty, lifestyle, branded, and interview content.
Hybrid color-temperature control
From warm 2,600K to cool 6,200K, the LED1800 adapts easily to daylight, tungsten-balanced practicals, mixed-light interiors, and creative looks.
Powerful, yet manageable
At 1,800W, the LED1800 delivers a substantial overhead lighting solution in a practical power class for small- to medium-scale productions and controlled locations.
Production-ready control
DMX and the integrated touchscreen PSU provide direct control at the fixture, while optional CRMX-LumenRadio wireless control enables efficient remote operation when a wired connection is inconvenient.
Fast deployment for changing setups
The LED1800 is designed for productions where the lighting plan may need to move quickly—from one interview angle to another, from a studio setup to a commercial scene, or from a daylight match to a warmer creative look.
Refined atmosphere with fewer fixtures
Its soft, wide output can create a coherent ambient base across the scene, allowing the lighting team to reserve additional fixtures for modeling, edge light, product sparkle, or background separation.
Application Scenarios
Film and television interiors
Create a natural ambient foundation for dialogue scenes, living-room sets, office environments, and studio builds. The broad overhead spread helps reduce unwanted contrast while keeping the scene open and comfortable for camera movement.
Corporate interviews
Suspend the LED1800 above the interview area to provide a soft general fill across the set. Match the color temperature to window light or practical fixtures, then make quick brightness adjustments through DMX as camera angles change.
Commercial and branded content
For beauty, lifestyle, fashion, product demonstration, and branded productions, the LED1800 helps maintain flattering skin tones and clean product highlights while giving the director of photography room to shape the image with additional accents.
Broadcast and livestream studios
A dependable soft source for studios and livestream rooms where consistent illumination, fast adjustment, and a clean working environment are essential.
Documentary-style interiors
Add natural-looking overhead ambience to controlled interiors without building an unnecessarily complex lighting package.
Compact studio productions
Use the LED1800 as the main overhead atmosphere source, then complement it with smaller fixtures for edge light, background detail, or product sparkle.
Structural Comparison
Elliptical design vs. conventional spherical design
| Feature | HAFE Artemis Ellipse LED1800 | Conventional spherical balloon light |
|---|---|---|
| Coverage profile | Wider horizontal spread, shaped for broader set coverage | More evenly distributed around a round profile |
| Best suited to | Interior sets, interviews, commercial stages, product areas, and elongated shooting spaces | General-purpose illumination where a round spread is preferred |
| Set integration | Aligns naturally with rectangular rooms, dialogue lines, tables, and camera-facing layouts | Provides a more uniform radial footprint around the fixture |
| Creative control | Helps establish a directional, scene-oriented overhead base while retaining soft quality | Often functions primarily as an all-around ambient source |
| Rigging and planning | Useful when coverage needs to extend across a defined horizontal area | Useful when equal coverage in multiple directions is the priority |
The elliptical structure is not simply a different shape—it is a practical lighting choice for productions that need soft overhead coverage to follow the geometry of the set. Final performance will depend on suspension height, room dimensions, fixture orientation, and the selected configuration.
Frequently Asked Questions
What is the HAFE Artemis Ellipse LED1800?
It is an elliptical LED helium balloon light with a total lamp power of 1,800W, designed to provide soft, broad, controllable overhead illumination for film, television, commercial, broadcast, and studio production.
What color temperature range does it support?
The LED1800 supports hybrid color-temperature control from 2,600K to 6,200K, including dedicated warm-white operation at 2,600K and cold-white operation at 6,200K.
How is the light controlled?
The fixture supports DMX control and includes an onboard PSU with an integrated touchscreen interface. Optional CRMX-LumenRadio wireless control is available for remote operation.
What is the color rendering performance?
The LED1800 provides a CRI of 96–99, helping deliver natural skin tones and accurate, camera-friendly color reproduction.
What is the standard envelope size?
The standard envelope measures approximately 3.8 m in diameter and 2.9 m in height, with a balloon volume of 21.8 m³ / 770 ft³. Custom elliptical diameters from 3.8 m to 5.5 m are available according to the specification.
What type of production is it designed for?
It is ideal for small- to medium-scale interior film sets, corporate interviews, commercial and branded content, broadcast studios, livestream rooms, documentary-style interiors, and compact studio productions.
Can it be used with both 120V and 230V power?
Yes. The PSU supports AC 120V or AC 230V input. Always confirm the final power configuration with HAFE before deployment.
Can the LED1800 be used as the only light on set?
It can serve as the primary overhead ambient source, but most productions will combine it with additional fixtures for key-light shaping, edge light, product highlights, or background detail, depending on the creative requirements.
Can the elliptical shape be customized?
The documented shape range supports custom elliptical diameters from 3.8 m to 5.5 m. Contact HAFE to discuss the required dimensions and project configuration.
Why Choose HAFE?
Lighting engineered for the way productions actually work
HAFE combines the visual softness of balloon lighting with the control, color quality, and workflow flexibility expected from modern LED production equipment. The Artemis Ellipse LED1800 is built for teams that need to move quickly without compromising the look of the image.
The HAFE difference
- Purpose-built coverage: An elliptical profile designed for broader, more practical overhead illumination
- Camera-ready color: CRI 96–99 for natural skin tones and clean product rendering
- Flexible color control: A hybrid 2,600K–6,200K range for daylight matching and creative adjustment
- Efficient operation: DMX, integrated touchscreen control, and optional wireless CRMX
- Production versatility: Suitable for film, television, commercials, interviews, broadcast, livestream, and studio work
- Configurable design: Custom elliptical dimensions available for different set geometries and project needs
- A complete lighting mindset: A soft, coherent ambient foundation that integrates easily with accents and additional fixtures
Shape the light. Simplify the setup. Elevate the image.
When your production needs wide, soft, controllable overhead light in a practical footprint, the HAFE Artemis Ellipse LED1800 delivers a smarter way to build the scene.
Talk to HAFE about your next lighting configuration.
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